Tuesday, October 20, 2009

The Sound of the Desert


Perhaps the greatest pursuit of any guitarist is the pursuit of tone - a unique sound that sets them apart from all others - this sound helps defines them, it shapes their music. When questioned about who or what has influenced these tones or sounds, many guitarists cite musical references: maybe it is a specific musical genre, perhaps it is a certain band or artist.

I, too would answer in the same way, citing many bands and musicians who have influenced and inspired my playing along the way. Yet, there is one primary influence, one singular inspiration that has contributed more to defining and shaping me as a musician and guitarist than anything else. And, this influence is unique because it is not audio-related, it is visual. It is the landscape of northern Arizona: the place I called home for almost ten years. Landscapes of desert, canyons, red rocks, open skies, wide vistas, pine trees, mystery, beauty.

These landscapes resonate. There is a musical quality to them. When I consider the desert, for example, not only do I see it, but I also hear it. That translates directly to the guitar tone I strive to create: one of reverb, delay, and warmth; for those represent the open expanse of the desert. And this influence/inspiration not only manifests in my guitar tone, but also in the overall sound of music I create. I like there to be space in my music, I like there to be room for the sounds to breathe. I don't want the sound to be cluttered or too busy. Sometimes what we leave out is just as important as what we leave in.

When creating music, I often am not interested in pandering to emotion or feeling. Rather, I create with the intent of inviting the listener into a place - a place that has color, landscape - a place the listener can explore. It is an invitation for the listener to engage their imagination. It could be said that I provide the paint and brushes, the listener creates the painting.

Of course, not every single song that I write conveys this particular motivation. I do write songs that are narrative and more "to the point": where the listener is looking at a painting rather than creating one themselves. But, at the core of who I am as a musician there will always be a visual aspect to my music.

There will always be a desert resonating in the notes falling off of my guitar.

2 comments:

  1. Good Post man! I love the idea of not only seeing nature and beauty, but hearing it.

    ReplyDelete
  2. Welcome back to the blogosphere Matt! Awesome post. I often feel the same way about music. It's the same way I feel about all forms of art. Let the listener or the viewer decide what is going on, let them interpret the art for themselves.

    ReplyDelete